the smallest bata dram, the okonkolo produces the highest pitched tones and is typically used to play a standard set of rhythms in support of the Iya and Itotele. The Okonkolo is considered the metronome and time-keeper of the bata ensemble, hence there is little improvisation (floreos) carried out on this bata drum, especially during the Oru Seco. However the level of improvisation depends on the bata rhythm and the context in which it is played. Some rhythms actually require the okonkolo player to be able to improvise more freely to really swing the music.

Bata music is complex and ideally should be learned under the guidance and tutelage of a master drummer. Traditional bata music is played in a religions function called a bembe, in honor and in worship of Yoruba deities called Orisha. Although there are many diffrent ways to perform a bembe, the most formal always involve the use of sacred bata drums played by drummers who have been initiated for such roles

For more information, please visit http://www.congaplace.com